{"title":"Julien Mignot","description":"\u003cp dir=\"ltr\"\u003eArtiste visuel, photographe et cinéaste, Julien Mignot est actif sur la scène contemporaine depuis le début des années 2000. Sa pratique oscille librement entre la photographie, le cinéma et la recherche matérielle, animée par une même exploration du temps, de la texture et de la présence physique de l’image.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIl commence très jeune dans les coulisses des défilés parisiens, puis s’impose comme portraitiste. Au cœur de son approche, le portrait est abordé avec une grande sensibilité, l’intimité y cédant peu à peu la place à l’abstraction visuelle. Ses images se distinguent par une attention précise à la lumière, à la surface et à la durée, et construisent des espaces où coexistent immobilité et mouvement. Largement publié dans la presse internationale, de Libération au Monde, du New York Times à Vanity Fair, il a photographié David Lynch, John Cale, Lana Del Rey, Martha Argerich ou Christian Boltanski.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eParallèlement à ses collaborations éditoriales et culturelles, il développe une œuvre personnelle exposée en galeries et en festivals à l’international. Ses séries récentes, \u003cem\u003eBefore the Night is Over\u003c\/em\u003e, \u003cem\u003eToday, the time is close\u003c\/em\u003e et \u003cem\u003eTemps présent\u003c\/em\u003e, explorent l’intériorité et l’extériorité, la mémoire et le passage du temps. Avec \u003cem\u003eTemps présent\u003c\/em\u003e, il saisit les couleurs fugaces du ciel, de l’aube au crépuscule, en confiant ses négatifs au tirage Fresson, un procédé rare préservé par la même famille depuis 1899. L’ensemble forme un corpus radical et cohérent, où l’image devient à la fois matière et expérience.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAuteur de plusieurs livres chez Filigranes, dont \u003cem\u003e96 Months\u003c\/em\u003e (2018), il a également réalisé un court métrage. Ses œuvres figurent dans les collections de la BnF, du musée Nicéphore Niépce et de la Leica Foundation.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eProfondément engagé dans la transmission, il enseigne et accompagne de jeunes artistes à l’ENS Louis-Lumière, aux Rencontres d’Arles et à Venise, aux côtés de Paolo Roversi, Sarah Moon et Antoine d’Agata. Il a aussi été pendant trois ans directeur artistique du Festival de l’Image d’Amman, sous l’égide de l’Institut français.\u003c\/p\u003e","products":[{"product_id":"temps-present-19th-of-february-2023","title":"Workshop 3 #3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMichel Bousquet participated in the \u003cstrong\u003e\u003cem\u003eLiving\u003c\/em\u003e\u003c\/strong\u003e in Châteauneuf le Rouge exhibition in 2018 by creating a 9m2 living workshop in the Macarteum museum, which he lived in and photographed for a month (Workshop#1). The workshop becomes a workplace and a device. A space that is both a tool and a subject. Subsequently he invested and moved into other workshops: in Aix en Provence during a residency (Atelier#3), in Paris in the former workshop of Georges Braque, Villa de Guelma (Atelier#2) now in Sète ( Workshop#4)… His experiences make him notice a sort of possibility of work appearing from place (of living and working) to place, in the spaces that are created. Obviously this work partly disappears during moves. But there are still traces, images.\u003c\/p\u003e","brand":"PODA, La Petite Oeuvre d'Art","offers":[{"title":"Jordanie, 2008 \/ Pigment print, 110g white Kozo paper","offer_id":57661956292988,"sku":"MIJ01-002","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/9987\/0500\/files\/MIJ01-002-V1.jpg?v=1791883342"},{"product_id":"temps-present-17th-of-february-2023","title":"Workshop 3 #3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMichel Bousquet participated in the \u003cstrong\u003e\u003cem\u003eLiving\u003c\/em\u003e\u003c\/strong\u003e in Châteauneuf le Rouge exhibition in 2018 by creating a 9m2 living workshop in the Macarteum museum, which he lived in and photographed for a month (Workshop#1). The workshop becomes a workplace and a device. A space that is both a tool and a subject. Subsequently he invested and moved into other workshops: in Aix en Provence during a residency (Atelier#3), in Paris in the former workshop of Georges Braque, Villa de Guelma (Atelier#2) now in Sète ( Workshop#4)… His experiences make him notice a sort of possibility of work appearing from place (of living and working) to place, in the spaces that are created. Obviously this work partly disappears during moves. But there are still traces, images.\u003c\/p\u003e","brand":"PODA, La Petite Oeuvre d'Art","offers":[{"title":"Arromanches, Normandie, France,  2023 \/ Pigment print, 110g white Kozo paper","offer_id":57661965762940,"sku":"MIJ01-003","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/9987\/0500\/files\/MIJ01-003-V1.jpg?v=1791883345"},{"product_id":"temps-present-18th-of-june-2023","title":"Workshop 3 #3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMichel Bousquet participated in the \u003cstrong\u003e\u003cem\u003eLiving\u003c\/em\u003e\u003c\/strong\u003e in Châteauneuf le Rouge exhibition in 2018 by creating a 9m2 living workshop in the Macarteum museum, which he lived in and photographed for a month (Workshop#1). The workshop becomes a workplace and a device. A space that is both a tool and a subject. Subsequently he invested and moved into other workshops: in Aix en Provence during a residency (Atelier#3), in Paris in the former workshop of Georges Braque, Villa de Guelma (Atelier#2) now in Sète ( Workshop#4)… His experiences make him notice a sort of possibility of work appearing from place (of living and working) to place, in the spaces that are created. Obviously this work partly disappears during moves. But there are still traces, images.\u003c\/p\u003e","brand":"PODA, La Petite Oeuvre d'Art","offers":[{"title":"Deauville, Normandie, France, 2023 \/ Tirage pigmentaire, papier Rag Metallic Hahnemühle 340g","offer_id":57662330274172,"sku":"MIJ01-004","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/9987\/0500\/files\/MIJ01-004-V1.jpg?v=1791883342"},{"product_id":"temps-present-18th-of-june-2024","title":"Workshop 3 #3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMichel Bousquet participated in the \u003cstrong\u003e\u003cem\u003eLiving\u003c\/em\u003e\u003c\/strong\u003e in Châteauneuf le Rouge exhibition in 2018 by creating a 9m2 living workshop in the Macarteum museum, which he lived in and photographed for a month (Workshop#1). The workshop becomes a workplace and a device. A space that is both a tool and a subject. Subsequently he invested and moved into other workshops: in Aix en Provence during a residency (Atelier#3), in Paris in the former workshop of Georges Braque, Villa de Guelma (Atelier#2) now in Sète ( Workshop#4)… His experiences make him notice a sort of possibility of work appearing from place (of living and working) to place, in the spaces that are created. Obviously this work partly disappears during moves. But there are still traces, images.\u003c\/p\u003e","brand":"PODA, La Petite Oeuvre d'Art","offers":[{"title":"Deauville, Normandie,  France, 2024 \/ Tirage pigmentaire, papier Rag Metallic Hahnemühle 340g","offer_id":57662410981756,"sku":"MIJ01-005","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/9987\/0500\/files\/MIJ01-005-V1.jpg?v=1791883342"},{"product_id":"temps-present-16th-of-june-2023","title":"Workshop 3 #3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMichel Bousquet participated in the \u003cstrong\u003e\u003cem\u003eLiving\u003c\/em\u003e\u003c\/strong\u003e in Châteauneuf le Rouge exhibition in 2018 by creating a 9m2 living workshop in the Macarteum museum, which he lived in and photographed for a month (Workshop#1). The workshop becomes a workplace and a device. A space that is both a tool and a subject. Subsequently he invested and moved into other workshops: in Aix en Provence during a residency (Atelier#3), in Paris in the former workshop of Georges Braque, Villa de Guelma (Atelier#2) now in Sète ( Workshop#4)… His experiences make him notice a sort of possibility of work appearing from place (of living and working) to place, in the spaces that are created. Obviously this work partly disappears during moves. But there are still traces, images.\u003c\/p\u003e","brand":"PODA, La Petite Oeuvre d'Art","offers":[{"title":"Etretat, Normandie,  France, 2023 \/ Tirage pigmentaire, papier Rag Metallic Hahnemühle 340g","offer_id":57662513545596,"sku":"MIJ01-006","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/9987\/0500\/files\/MIJ01-006-V1.jpg?v=1791883342"},{"product_id":"temps-present-16th-of-june-2023-copie","title":"Workshop 3 #3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMichel Bousquet participated in the \u003cstrong\u003e\u003cem\u003eLiving\u003c\/em\u003e\u003c\/strong\u003e in Châteauneuf le Rouge exhibition in 2018 by creating a 9m2 living workshop in the Macarteum museum, which he lived in and photographed for a month (Workshop#1). The workshop becomes a workplace and a device. A space that is both a tool and a subject. 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But there are still traces, images.\u003c\/p\u003e","brand":"PODA, La Petite Oeuvre d'Art","offers":[{"title":"Le Nez de Jobourg, Cotentin, France, 2023 \/ Tirage pigmentaire, papier Rag Metallic Hahnemühle 340g","offer_id":57662562632060,"sku":"MIJ01-007","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/9987\/0500\/files\/MIJ01-007-V1.jpg?v=1791883342"},{"product_id":"temps-present-1st-of-april-2023","title":"Workshop 3 #3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMichel Bousquet participated in the \u003cstrong\u003e\u003cem\u003eLiving\u003c\/em\u003e\u003c\/strong\u003e in Châteauneuf le Rouge exhibition in 2018 by creating a 9m2 living workshop in the Macarteum museum, which he lived in and photographed for a month (Workshop#1). The workshop becomes a workplace and a device. A space that is both a tool and a subject. 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